Color Space Options: Supercomp now includes professional color handling options, with 28 new color spaces added.Color Match: Use the new Color Match tool (found in the Color Correction tool) and Supercomp will instantly match the black and white points of the layers behind it, providing a fast way to get a much more believable composite.All plugins are GPU-accelerated, giving AE users great results at incredibly fast speeds. Here’s what’s new with existing tools inside of VFX Suite 1.5. Just a few clicks and the job is done, all within the After Effects workflow. As curved lines are identified that should be straight, the lens distortion tool quickly solves the lens. Lens Distortion can also determine the type of lens used for a shot on its own, in an instant. Lens Distortion is a new tool that makes matching the distortion of a lens incredibly easy, so that elements can be seamlessly composited in a shot. “ With VFX Suite 1.5, we’re excited to build on that with new and updated tools that allow for even better visual effects and compositing results.”
“ When we released VFX Suite last year, our goal was to solve the challenges faced by professional VFX artists by giving them next generation tools right inside of After Effects” said Stu Maschwitz, Maxon/Red Giant’s Chief Creative Officer. The VFX Suite 1.5 update introduces Lens Distortion, a brand new tool for matching the distortion of any lens, and provides powerful updates to some of the original tools: Supercomp, Optical Glow, King Tracker, Shadow and Reflection. Red Giant released an update to VFX Suite, its collection of keying, tracking, cleanup and visual effects compositing tools, all right inside Adobe® After Effects®. VFX Suite 1.5 introduces a brand-new Lens Distortion tool, plus upgrades to several existing visual effects tools
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